QUANTUM EXPERIMENTAL VIEW

There is a new way to look at the LOST conundrums.

It is an analogy often used to explain difficult situations in the show, The Big Bang Theory. It is called "Schrodinger's cat." Schrodinger's cat is a thought experiment, sometimes explained as a paradox, devised by Austrian physicist Edwin Schrodinger in 1935. Though he never actually created the experiment, he wanted to illustrate a problem in one interpretation of quantum mechanics as it  applied to everyday objects. The issue Schrodinger had was the this interpretation of quantum mechanics did not yield a description of an objective reality but dealt only with probabilities of observing, or measuring, various aspects of energy quanta, entities that fit neither the classical idea of particles nor the classical idea of waves. The act of measurement causes the set of probabilities to immediately and randomly assume only one of the possible values.

Schrodinger's experiment postulated that a cat would be placed in a sealed box with a vial of poison. The poison would be released at an unknown, random time. This uncertainty of what is happening inside the sealed box presents the possibility that a cat that may be both alive and dead, depending on an earlier random event. This thought experiment is also often featured in theoretical discussions of quantum physics.  In the course of developing this experiment, Schrodinger coined the term Verschränkung ("entanglement").

LOST is the cat in the magic box we all call our television sets.

Based upon the information we have received, we did not know whether the characters were dead or alive at any given moment in the series.   Also, the show featured themes that included paradoxes (time travel events), various aspects of unique energy properties (the heart of the island) and most certainly the entanglement of various diverse character lives with each other. Faraday thought of the island dynamic as a measurable place in time and space, until he found that the set of probabilities could be adversely affected by "variables," which in some viewers minds meant the free will decisions of the characters.

Further, Ben clearly described the concept of the Magic Box to Locke. Ben said that if Locke wanted something badly, the magic box would produce it. Locke wanted to see the box, but Ben scoffed that aside. In Locke's case, suddenly Anthony Cooper was captured and on the island (as he said right after an automobile accident; and that the island was hell). At the time, Locke's whole life revolved around the betrayal of his father and the revenge he sought for the downfalls in his life. Those strong emotional thoughts created the situation where Locke could confront his worse nightmare face to face.

The island as a magic box does not yield an objective reality, but dealt with the probabilities of observing various aspects of a person's life outside the classical ideas of religious thought (judgment, punishment, penance, accountability, and redemption). It gave the main characters various opportunities to relive difficult moments in their lives, to give them second chances or the possibility to change (their perceived outcome of key life events). The island could be viewed as one large interactive, interpersonal experiment in which the viewers got an inside peek of the events transpiring therein.