RANDOM FODDER

 One of the issues in LOST's narrative was the apparent continuity errors. Some were viewed as production issues, others as easter eggs. In a very random exploration, let us discuss a very minor Other named Jason.

Jason was a minor  character who, on numerous occasions, aided Pickett, Ben and Ryan Pryce on various tasks against the 815 captives. He was once termed one of the ten trustworthy minions of Ben. Even though he was in the midst of several missions against the 815 captives, he did seem to be slightly different - - - he appeared to have a conscious.

During Season 3, he was first seen assisting Other named Michael in the Hydra operating room as Ben tried to convince Sawyer that he was in control. Jason told Sawyer to bite down on a stick to manage the pain while he held him down during the operation (which allegedly included planting a mini-bomb in his chest which turned out to be a hoax) and at the time Ben discussed Sawyer's fate at the Hydra Island lookout point.

Jason also assisted Jack at Colleen's funeral.

When Ben in surgery with Jack, Jason tried to convince Pickett, who was assisting, not to leave the operating room to go kill Sawyer. Jason went with Pickett to the cages, but instead of killing Sawyer, Pickett and Jason were beat up by Kate and Sawyer and left in the cages. Once they got out of the cages, they went to the beach to try to capture Kate and Sawyer, but they were unsuccessful.

Jason was one of the men who raided the 815 beach camp. Jason survived the initial ambush explosions to help capture Jin, Sayid and Bernard. As they were lined up on the beach waiting execution by Pryce, Hurley drove the van through the jungle striking the Others. Sayid tripped up Jason to the ground, then broke his neck to kill him.

However, several days after Jason's beach death, he is seen at Richard's camp. Ariston Green, the actor who played Jason, admitted in an interview that he was the person in that scene.

It was probably a production issue where the director needed background members and Green was available. But some would think that the producers and director would have known they killed off a character before this shot - - -  which could lead to viewer confusion.

But one of the oddities of series was the strange "reincarnations" of certain characters on the island. Patchy was the prime example as the mad Russian got killed several times over but seemed to reappear to take revenge on the castaways.

But Jason reincarnation could have been a "reward" for not being purely evil, but just a foot soldier taking orders. That view would give the show at a least a partial moral fiber to the actions and consequences of some actors. If you have some morally positive attributes, you could be saved from final judgment or given a second chance in your island life.

BACK IN TIME

New research by quantum physics infers that it may be possible, in theory, to time travel. However, the scientists believe that one could only go back in time.

LOST had a bad mix of time travel events. Did the frozen donkey wheel create the time travel episodes? Or was it the containment field from the Swan station? Or was it all a red herring by the writers?

The island's "rules" lacked clear continuity. In the Star Trek universe, Gene Roddenberry set down a specific set of rules, including science fiction elements, which carried the series through to today. LOST's showrunners did not take the time or have the patience to forge a realistic, compelling and believable sci-fi doctrine.

The weird science is explained by the strange electromagnetics of the island, inferring that those island experiences are in a different sequence in time and space. When Sayid gets the radio working, they hear a radio broadcast from the 1940s. When Sayid, Frank and Desmond left the island, they experienced events in a different sequence. When Desmond survived the Swan implosion, he began seeing future events. When the freighter doctor's corpse washed up on shore, it was out of sequence with the real time on the freighter (where he was still alive).

In the orientation film for the Orchid station, scientists talked about the island allowing DHARMA to conduct experiments to move rabbits ahead in time and in space. When Ben and Locke turned the frozen donkey wheel under the Orchid station, they found themselves 10 months in the future in a desert halfway around the world.

When the survivors left behind after Ben's wheel turning experienced a time travel change, there was a blinding purple flash (similar to when the Hatch imploded). After Locke fixed the wheel, there was one last flash, but this time the flash was bright white, rather than purple. In all instances, the travelers experienced severe head pain, most likely caused by the extremely loud noise occurring during the flashes. 

People who weren't affected by the time travel appeared to be unaware of the blinding flash and loud noise. For example, Danielle didn't react to or mention the noise or light before Jin disappeared, and when he reappeared in her future, she thought Jin was sick because he disappeared.) It was the inconsistent treatment of people in the same situation which left the story weak and confused. There was no justification for allowing only certain people on the island to time skip while others did not.

For there to be a rational explanation for the differences in time travel on individuals, one must take into consideration that it may not have been time travel at all. How one experiences the passage of time is through consciousness and memory. If one can take an individual and alter, through mind control or neurologic drugs, their consciousness and memories, one could instill false memories including false time. It get backs to the possibility that much of LOST's story is not based in reality, but in the altered mind, memories or subconscious of the characters.

IS IT POSSIBLE?

Is it possible that someone will be able to take the LOST story and re-work it into a unified climax of the desperate, tangential plots?

Yes, if someone took the time and effort to re-edit the series into chronological order (which I have not seen except the first two hours), then in the buried archeological pit of the scripts there is a lost treasure that ties everything together.

In order to tie every piece of the LOST puzzle together, one will have to consider suspending belief but not to the point of irrational McGuffins. The best science fiction has at its core science principles "extended" by theoretical advancement.

For example, is it possible to survive a mid-air plane separation at 30,000 feet? No. Is it possible to survive a free fall from 9,000 feet (as shown in the Others centric episode showing the crash from Ben's perspective)? Perhaps, but unlikely. Is it possible that since Desmond did not enter the numbers promptly, causing a system failure and release of electromagnetic energy, that the unique EM properties could have acted as parachutes or pillows for the survivors who landed alive on the island? That could be a possibility. With the Desmond error causing an electromagnetic incident, is it possible that based on the FDW's ability to harness the EM to shift the island in time and space, that the EM discharge selectively carried the survivors into a different time, space or dimension (including the afterlife as in Dante's Inferno)? That could be a greater possibility since it links together more key elements of the story mythology.

And this is how it could be possible to use the story clues, stated science principles, island factors, and cause-and-effect relationships to build a detailed model of what actually happened to the characters in a unified story that would tie all the loose ends.

In order to accomplish something this grand, one will need to extract the core mythology elements and make them core building blocks from which "the answers" can logically be found for the show's mysteries. There truly needs to be story rules to avoid continuity issues.

It will be complex, confusing and frustrating. For example, the writers had no consistent concept of "time."  It was linear. Then it was circular. Then it was classified as a moving stream. Each one of these time concepts is different. And when the writers dropped the bomb in the sideways world having "no past, no present, no future, but just now," how does one deal with characters moving forward in a space with no time at all? The "now" is not the present because the present represents the future minus the past. Unless the after life principle is that souls live in a null space, then why would they appear to live "normal" lives along a progressive time line?

Even if one can forge through the serious stuff, can one weave an explanation that would appease, delight and answer all the questions of the die-hard fan? Probably not. And that is why no one has really tried to tackle this ambitious project.