Tuesday, October 21, 2014
THE ONE
Kate was the first character with a complex back story.
She was the first character guys immediately attached to: the cute, girl next door.
Kate was the most troubled character.
She had done horrific things in her past; she was a classic woman on the run.
And Kate was the One who really got everything she wanted, on her own terms.
For those looking for an alternative solution to the many tangled plots, Kate may be your answer.
She was in the center of most of the action, but she never got hurt.
If she wanted something, men jumped to her aid (no matter the consequences, which ran the gambit to sex to death). She was never accountable for her desperate actions. Other people took the brunt of the punishment that should have been directed toward her way.
Women envied her freedom. Men adored her spunky tomboy appeal.
If there was a series puppet master, it would be Kate.
We were told that Jacob was the island guardian, whose "touch" brought the candidates to the island. Jacob was manipulating people to replace him. Kate was a candidate, but somehow conveniently taken out of the equation because she became "a mother." But that was not true. She took Aaron off the island, and "pretended" to be his mother, but gave him back to his grandmother to return to the island. Jacob should have known that - - - but maybe he was also being manipulated by Kate.
Since it is best to be hidden in plain sight, Kate walked among all the interests and conflict groups. She got the adrenaline rush of the missions, but none of the dire consequences of being killed by the Others or the smoke monster. Everything seemed to fall her way. She was the luckiest person ever, or her thoughts and dreams manipulated and controlled island events.
The dream is the only way to explain the laughable, implausible and totally wrong legal resolution of her murder case. The whole O6 story arc was fraught with childish story lines and illogical conclusions. Why would Sun abandon her daughter to go back to find Jin, who everyone believed is already dead? Why would Jack turn into a madman after leaving Kate alone with Aaron? Why did not her Florida husband come to her side when her trial-of-the-century was being broadcast to the nation? None of those items makes any common sense. They are more the delusional thoughts of a classic spoiled adult who turns away responsibility for personal adventure.
LOST was an adventure story, but it was Kate's adventure. She was used to gathering "red shirts" like the bank robbery gang who would die for her. She gathered up enough "red shirt" survivors to keep the blood pumping and tension high. She was an adrenaline junkie. That is why she volunteered for all the dangerous missions, knowing that she would get the rush but not bad consequences. The island was her own haunted house, a dirty trick she made for her new friends to experience.
Who is not to say Kate was not a supernatural being like Jacob or MIB? If past island history was true, then the real guardian of supernatural world would have been a woman. The gods who ruled life and the bounty of life were women, like Taweret, the goddess of Birth, Rebirth and the Sky. Sound familiar? That was close to the definition of the "life force." The island was the creation and re-creation of a woman-god. Kate is the only character who meets the criteria of being able to rule the island in plain sight. She is the one who gets off the island, but returns to re-connect her bonds to Jack - - - her only hope is that they can overcome the greatest obstacle, together, which would be defeating MIB. Once that happens, Kate does not stay - - - she leaves the island and Jack dies alone. A normal caring person in love with Jack would have stayed by his side to the bitter end. But this moment was a trap, set by Kate, to capture Jack's soul in the after life. For what is a few more moments on Earth compared to an eternity together in the stars.
A highly charged, highly complex series of events that one can consider one long blind date?
If a smoke monster can manipulate both matter and energy, why can it manipulate human emotions such as love?
When Christian states that everyone in the afterlife church is there because the island was the most important thing in their collective lives, one still has to question that viewpoint. Under normal circumstances, the most important things in one's life is family (parents) and loved ones (children and spouse). Is this the lonely losers club?
Kate was the most estranged from her loved ones: she killed her father, dismissed her mother, abandoned her Florida husband (and as a runaway committed various acts of adultery). Her character would have been the most likely to have been "alone" at the pearly gates (or the opening of hell's fire pit).
For example, Hurley was extremely close to his mother. As a momma's boy, don't you think she'd be in the final scene to comfort Hurley in the afterlife? Jack had his estranged father, but not his mother. He got along with her fine, so there is another disconnect to the church ending.
To alone Kate, Jack needed to see, speak and reconcile with his father in order to be with her. So one could argue that the church reunion was only stage dressing for Kate's spirit to get what she wanted: Jack, so you would not be alone forever. In some respects, the island was Kate's best life moment, not anyone else's. She needed friends and lovers in order to create some self-esteem, some self-worth. But at the same time, she was an unaccountable spoiled brat in how she dealt with people and problems. The church ending was her solution to her eternity problems. How interesting that she could have choreographed the events on the island (remember we never got the full beach deal conversation between Ben and Kate) in order to increase her status and control of her own immortality. If she was the puppetmaster, she put herself into the action, in a secondary role, to help guide the character developments and affection for her. She needed friends in order to survive the pit of damnation. The island could have been her cosmic con. She had the most to gain by the final union. Perhaps, this explanation will help smooth out the bitterness of why Kate wound up with Jack.
Saturday, January 23, 2010
WALKABOUT DESTINY
Locke has returned to the Center of the Storyline at the end of Season 5. He appears to have been in control of his own free will for the first time in his life. But was he?
From "Walkabout" in Season 1, Flashback:
RANDY: Well, tell me, what's a Walkabout? [reading from a brochure]: "Experience the dream journeys of the fabled Australian Outback."
LOCKE: You have no right taking that off my desk.
RANDY: So, you wander around hunting and gathering food, right? On foot?
LOCKE: Not that you would understand, but a Walkabout is a journey of spiritual renewal, where one derives strength from the earth. And becomes inseparable from it. I have vacation days, I'm going, Randy. I've already made a reservation.
GL12: Wow. John you're really doing it, huh? You tell Helen yet?
RANDY: Helen? Well, what's this Locke, you've actually got a woman in your life.
LOCKE: That's none of your business.
RANDY: What is it with you Locke? Why do you torture yourself? I mean, imagining you're some hunter? Walkabouts? Wake up, you can't do any of that.
LOCKE: Norman Croucher.
RANDY: What? Norman what?
LOCKE: Norman Croucher. Norman Croucher, double amputee, no legs. He climbed to the top of Mt. Everest. Why? It was his destiny.
RANDY: That's what you think you've got, old man? Destiny?
LOCKE: JUST DON'T TELL ME WHAT I CAN'T DO.
End of Flashback, Back to the Island:
KATE: [off camera at first] He's hurt. John? Can you hear me? Locke?
[Locke is still lying there.]
KATE: John you okay?
[Shot from the foot angle again.]
KATE: Locke?
LOCKE: [moving] I'm fine, I'm fine. I'm fine, Helen, I just got the wind knocked out of me is all.
KATE: Helen?
LOCKE: What?
KATE: YOU CALLED ME HELEN.
LOCKE: Did I?
[Kate is tending to Michael, making a tourniquet.]
LOCKE: Which way did that boar go?
KATE: Michael's hurt. We have to get him back to camp.
LOCKE: Yeah, you take him back to camp. I'm going to get that boar.
[Kate looks shocked.]
KATE: What are you talking about?
LOCKE: I'm fine. I can do this.
KATE: John, you can't.
LOCKE: Don't tell me what I can't do.
Another Flashback, to travel agent in Sydney:
AGENT: The Walkabouts we arrange here are not just some stroll through the park. It's trekking across vast stretches of desert, rafting bloody treacherous waters.
LOCKE: Look, you've got no idea who you're talking to. I'm well aware of what's involved, believe me. I probably know more than you on the subject.
AGENT: In any case, it's a trying ordeal for someone in peak physical condition, let alone …
LOCKE: Look, I booked this tour a month ago, you've already got my money. Now, I demand a place on that bus.
AGENT: You misrepresented yourself …
LOCKE: I never lied.
AGENT: By omission, Mr. Locke. You neglected to tell us about your condition.
LOCKE: My condition is not an issue. I've lived with it for 4 years. It's never kept me from doing anything.
AGENT: Look, unfortunately it is an issue for our insurance company. I can't keep the bus waiting any longer. It isn't fair to the other people.
LOCKE: Hey, don't talk to me about fair.
AGENT: I can get you on a plane back to Sydney on our dime. That's the best I can do.
LOCKE: No. I don't want to go back to Sydney. Look I've been preparing for this for years. Just put me on the bus, right now, I can do this.
AGENT: No, you can't.
LOCKE: Hey, hey, don't you walk away from me. [The wheelchair reveal]. You don't know who you're dealing with. Don't ever tell me what I can't do, ever. This is destiny. This is destiny. This is my destiny. (yelling) I'm supposed to do this, dammit. DON'T TELL ME WHAT I CAN'T DO. DON'T TELL ME WHAT I CAN'T . . . .
His whole life was defined by what other people were telling him what he had to do. Like a volcano, there was inner anger building up inside of him. In the end, there was nothing he could do. He was merely a pawn, magnified to the fullest when Anthony Cooper, his father, conned him out of a kidney, and tossed him through a window to his paralyzed state, both mentally and physically. The shocking plot twist was that Locke was once in a wheelchair but now "cured" on the Island.The oddest part of this Locke-centric episode was his comment to Kate when he was awakening: he called her "Helen," his former girlfriend. With all the theories of time resets, that the time line could be rewritten, or destiny changed; is it possible that Locke was re-living a memory of a Walkabout with Helen?