Wednesday, May 20, 2015

MAN MEN ILLUSIONS

Many of my friends who were die hard Mad Men viewers felt that the show's conclusion was great. There were several vocal writer-critics of the series end. They did not like the new justification for acclaimed series ending on ambiguities like the Sopranos or even LOST.

But reading more the of back story on lead character Don Draper, I find it hard to connect the dots to the ending. Yes, the McCann advertising agency in real life created that brilliant Coke ad. However, the ad executive who actually did it was trapped in an airport observing fellow passengers passing the time during the delay. The majority of people felt the ending of the iconic commercial was done by a returning Draper to the agency. But that assumption does not follow from what we saw from the Draper character prior to the end.

I had not realized at first that Draper was a con man of sorts. He assumed the identity of a fallen comrade in the Korean war in order to get home. Once back into the states, he assumed this dead soldier's name (and some reputation as being a Purple Heart hero) in order to run away from his troubled past life. These are familiar themes and plot lines in LOST.

In Draper's own mind, his past including his name, was killed in Korea. By erasing his past in such a manner, he was free to become the man dreamed of becoming: a highly successful person with all the rewards of the age - - - wine, women and song.

But big secrets are like one's shadow - - - always there to haunt you when you least expect it.  Apparently, his past would crop up during the series, but he always managed to charm his way to keep it a secret so he could continue his path to wealth and fame.

Part of the cost of keeping such a secret was the divorce to his first wife.

Part of the cost of keeping such as secret was keeping around an associate more ambitious than himself.

Part of the problem of keeping such a secret is that over time it will wear you down. At some point people like you, respect you, love you not for the real you but the illusion that you had created: Don Draper, dapper great advertising giant.

So when his NY ad world collapses around his illusion (with his second divorce, and his small agency being taken over by a heartless giant), Draper reverted to back what he did in Korea - - - he found a way to run away from his problems and responsibilities. In essence, the last couple of episodes was all about Draper killing the Draper persona.

You can tell by the evidence that he started calling himself his old nickname, Dick. It shows that he had discarded his NY life and the fraud that continued to eat at his soul. He could not go back to his hold Dick Whitman life because he killed that off a long time ago (he was officially dead). So this character had now created a man without an identity or purpose; a body without a soul.

So as he wandered out west, bouncing in and out of bed and in and out of trouble, Draper really did not care what would happen to him. In his final phone call to Peggy, to say goodbye, he meant it. He was never coming back to McCann or his old life. It was over. Peggy sensed suicide and she was partially right: Don killed his identity to assume a new one unrelated to his past - - - some new age. transcendent loner.

That is why is it not realistic to believe that Draper suddenly changed his mind to return to NYC and create the iconic Coke commercial of total world peace through soda. That type of illusion was too great for even him to swallow.

This explanation is part of the tone of some viewers who felt "underwhelmed" by the finale. They thought that something unexpected, visual, striking and horrible would happen to Don. Negative expectations are still heightened expectations to viewers. But there was nothing truly negative as most of the story lines were wrapped up in a happy bow. Don's character sitting on a California bluff doing nothing but chanting is the exact opposite of what most viewers wanted to see in the end. But in one respect it is a full circle character arc where the Don persona of being the high profile, respected and wealth ad man is tossed aside to return to a second Dick persona of being a faceless loser and loner who is dropping out of society.