"I'm not strange,
weird, off, nor crazy, my reality is just different from
yours." - - - Lewis Carroll's Cheshire Cat.
In the 1957 novel, author Ayn Rand depicts a dystopian United States, wherein many of society's most prominent and successful
industrialists abandon their fortunes and the nation itself, in response
to aggressive new regulations, whereupon most vital industries
collapse. The title is a reference to Atlas, a Titan, "the giant who holds the world on his
shoulders". The significance of this reference appears in a conversation
between the characters
in which one asks another what advice he would give Atlas upon
seeing that "the greater [the titan's] effort, the heavier the world
bore down on his shoulders". His own response: "To shrug."
The theme of Atlas Shrugged, as Rand described it, is "the
role of man's mind in existence". The book explores a number of
philosophical themes from which Rand would subsequently develop
Objectivism.[ In doing so, it expresses the advocacy of reason, individualism, capitalism and the failures of governmental coercion.
The story of Atlas Shrugged dramatically expresses Rand's advocacy of "rational selfishness,"
whereby all of the principal virtues and vices are applications of the
role of reason as man's basic tool of survival (or a failure to apply
it): rationality, honesty, justice, independence, integrity,
productiveness, and pride. Rand's characters often personify her view of
the archetypes of various schools of philosophy for living and working
in the world. A reviewer wrote, "Rand rejected the literary
convention that depth and plausibility demand characters who are
naturalistic replicas of the kinds of people we meet in everyday life,
uttering everyday dialogue and pursuing everyday values. But she also
rejected the notion that characters should be symbolic rather than
realistic."
Rand herself stated, "My characters are never symbols, they are
merely men in sharper focus than the audience can see with unaided
sight. . . . My characters are persons in whom certain human attributes
are focused more sharply and consistently than in average human
beings."
In addition to the plot's more obvious statements about the
significance of industrialists to society, and the sharp contrast to Marxism's value of labor theory to the explicit conflict is used by Rand to draw wider philosophical
conclusions, both implicit in the plot and via the characters' own
statements to caricature fascism, socialism, communism and any state intervention in society, as allowing poor people to
"leech" the hard-earned wealth of the rich; and Rand contends that the
outcome of any individual's life is purely a function of its ability,
and that any individual could overcome adverse circumstances, given
ability and intelligence.
The concept "sanction of the victim" is defined as "the willingness of the good to suffer at the hands of the evil, to accept the role of sacrificial victim for the "sin" of creating values". Accordingly, throughout Atlas Shrugged,
numerous characters are frustrated by this sanction, as when one appears duty-bound to support his family, despite their
hostility toward him; later, the principle is that somebody's got to be sacrificed. Characters note "If it turned out to be me, I have no right to complain;" "Evil is impotent and has no power but
that which we let it extort from us;" and, "I saw that evil was
impotent ... and the only weapon of its triumph was the willingness of
the good to serve it."
Is the island's own reality akin to a Cheshire Cat mash up with Rand's concepts? The permeation of evil, the lawlessness against control and structure, and the selfishness of the main characters as a means of survival are all deep roots in the LOST plot lines. The theme of a "sacrificial" victim, such as Charlie and his warning to Desmond, or Jack's final breath in the bamboo grove, is a homage to the forces of evil and not a heroic conduit to paradise. For the weight of the series was not carried on the shoulders of one titan character, but shoved through the meat grinder of selfish evil intent.