THREE AND OUT

Yahoo News reported on LOST's back story from one of its co-creators.

LOST launched a television phenomenon by creating mysteries and Easter egg hunts like the numbers, the hatch, and The Others.  It had high ratings from the 2004 pilot right up until the finale in 2010.

A common debate has been when the series jumped the rails to go out into filler tangents and story line dead ends. Some believe the middle seasons were merely filler episodes which distracted from the original intent of the show.

Co-creator Damon Lindelof  all but admitted it when he recently said the original outline for the ABC series was a three-season run.

“There were all of these compelling mysteries and so we were saying, ‘We wanna have this stuff answered by the end of Season 1, this stuff answered by the end of Season 2, and then the show basically ends after about three years,’” Lindelof told Collider. “That was the initial pitch.”

“[ABC] were not even hearing it… they were just like, ‘Do you understand how hard it is to make a show that people want to watch? And people like the show? So why would we end it? You don’t end shows that people are watching.’”

Eventually, ABC allegedly agreed to set an end date for the show – but on its own terms: 10 seasons.

That never came to pass, as Lindelof eventually reached a compromise during negotiations around Lost’s third season.

Lindelof was set on a longer fourth season to wrap the story up which still involved “a number of the characters” getting off the island and later returning for the final run. When ABC offered just nine episodes, the two parties settled on slightly shorter seasons up to season six, a marked departure compared to the 20-plus episode seasons we got in the show’s first two years.

Despite the apparent directional conflict with the network, LOST moved forward, with all its flaws, to the controversial finale. Would have a concentrated LOST series have been better? Would more mysteries been solved? Would the End be different?

 Let's look back at the first three seasons as a guide with the help of lostpedia:

Season 1 concentrated on the middle-section survivors and their fight for survival and rescue. This was the modern update of the Robinson Caruso shipwreck story. It is a classic premise to hook viewers with a familiar story told in a new way.

Major plot points included:

Finding a suitable camp location.
Half the survivors, including Kate, Sawyer, and Sayid settled on a beach near the crash site.
The rest, led by Jack, chose to live in the caves which are located in the jungle, near a source of fresh water.
Investigating the Island (searching for food and water, discovering the caves, and learning about the Black Rock).
Confrontations with The Monster.
Getting to know and trust each other (see especially Kate, Locke, Sawyer, and Jin).
There is a relatively long-standing animosity between Michael and Jin: the latter attacked the former in order to get his watch back, which Michael had found in the wreckage of the plane.
The survivors (especially Jack and Shannon) begin to question Locke's intentions due to his lie about Boone's injury and consequent death.
Trying to leave the island.
Building and launching the raft.
Hunting for Claire, after she was taken by the Others.
Opening the Hatch found by Locke and Boone.
Started to tell the survivors' story by introducing and using Flashbacks.

The early story was basic survival: food, shelter and water. Also, a means of rescue.
But the survival group was not unified so individuals personal instincts were more important than uniting around  common leader. This was the early character conflict between those who thought they would lead.

The mysteries were unusual: the Black Rock ship found in the middle of the island; the Smoke Monster, the Others and the Hatch.  The story pivoted from basic survival to danger from Monster, the Others and the Island itself.




Season 1 Finale: As the castaways brace themselves for an attack, Claire's baby is kidnapped, leading Charlie and Sayid on a dangerous chase into the jungle. While the threat of the Others bears down on the castaways, the raft crew continues their flight from the island - but when the hope of rescue appears on the horizon, they will soon learn that appearances can be deceiving. Charlie and Sayid stumble into a trap as they race to confront the kidnapper. Jack and Locke argue as they prepare to blow open the hatch. The raft crew is overjoyed to be discovered by a passing ship, but their elation is short-lived when they realize things are not what they appear. The hatch is opened, and what is inside it stuns the survivors.
 

Season Two focused on the Hatch. To find something scientific and out of the ordinary on the Island filled the castaways with hope (and food and protection) but also doubt (what was its purpose on the island). The writers were praised for effectively using flashbacks to flesh out the secrets of the characters.

Major plot points included:

The Swan, the Numbers, and pressing the button, all of which appeared to have been resolved by the end of the season.
The tail-section survivors, whose stories began and ended in the season, with the exception of Eko and Bernard.
The Others, including Tom, Goodwin, Klugh, and the fake Henry Gale (Ben).
The DHARMA Initiative stations/
Continued to tell the survivors' story by using flashbacks

Finale: Live Together, Die Alone: After discovering something odd just offshore, Jack and Sayid come up with a plan to confront "The Others" and hopefully get Walt back. Meanwhile, Eko and Locke come to blows as Locke makes a potentially cataclysmic decision regarding the "button" and the Hatch.

Season 3 mainly focused on the Others who had become the biggest danger to the castaways survival.

Major plot points included:

The Others (including Juliet Burke, Tom Friendly, Ben Linus and Richard Alpert), who they are, why they are on the Island, the way they live their lives and who leads them.
Contact with the outside world, including Penny; the Flame and Galaga being destroyed.
Desmond's future-telling powers, going back in time and Charlie's imminent death, and to a lesser extent, time.
The mysteries of the island, mainly pregnancy issues and the healing properties (see Mikhail).
The arrival of Naomi and the freighter.
Continued to use Flashbacks and during the final episode of the Season 3 they first introduced the Flash-forward idea that was used throughout all of Season 4.

Finale: Through the Looking Glass:  Jack and the castaways begin their efforts to make contact with Naomi's rescue ship.

"Through the Looking Glass" means where nothing is quite what it seems. In Lewis Carroll's book, it can mean clocks that work backwards or "... a poor sort of memory that only works backwards."
Alice again enters a fantastical world, this time by climbing through a mirror into the world that she can see beyond it. There she finds that, just like a reflection, everything is reversed, including logic (e.g. running helps you remain stationary, walking away from something brings you towards it, chessmen are alive, nursery rhyme characters exist, etc.).

At the end of Season 3, current reflection shows series turned to pure fantasy and not reality.


But by the end of Season 3, LOST could have wrapped up its main stories without jumping the shark (literally and figuratively) with the entire Jacob Temple worship story which attempted to merge ancient religions with an old Greek surreal tale of sibling rivalry.


A three season run would have boiled the LOST story universe into easily absorbed plots:

1. The conflict and tension in the 815 survivors camp on leadership and direction for survival. A passenger class struggle between the middle section and the tail section who had more contact and suspicions about the Others.
2. The external conflict and combat with the Others who claim the Island and its magical properties as their own. The story would have concentrated more on the science cult's obsession with time, pregnancy and mental experiments (which could have easily explained the Monster as being the physical manifestation of mentally ill minds through the Island's unique electromagnetic fields). In other words, the Smoke Monster would have been the island Frankenstein, roaming the island after breaking out of its captivity.
3. The realization that the only way to leave the Island was through the Others assets (boats, communications, etc.) or through rebellion (the freighter coming back to dethrone Ben as the island leader.) It could have been an interesting dynamic on whether Widmore would be as evil as Ben or whether he would have rescued the 815ers then restore the "real" original research of the Island. This would have been a cleaner and more logical ending to the series as it avoids the pitfalls of supernatural beings and clear evidence of a purgatory premise. The main characters would be given an opportunity to "go home" on the freighter or "stay" to live a new life on the Island.

FATE WORSE THAN HELL

One of the theories about LOST and its quirky sci-fi story line inconsistencies was that the characters were not "living" in a real world environment, but part of some grand experiment or alternative world (through technology like networking brains of coma victims).

Science may be catching up to some wild fiction.

The Daily Mail (UK) reports the scientists have kept alive pig brains outside of the body for the first time as part of a controversial new experiment. The radical experiments could pave the way for human brain transplants and may one day allow humans to become immortal.

The report suggests to ethics experts that any experiments to reanimate dead brains could lead to humans being locked in an eternal "living hell" and enduring a" fate worse than death."

That's according to Nottingham Trent ethics and philosophy lecturer Benjamin Curtis who made the comments in light of controversial experiments on pig brains.

"Even if your conscious brain were kept alive after your body had died, you would have to spend the foreseeable future as a disembodied brain in a bucket, locked away inside your own mind without access to the sense that allow us to experience and interact with the world,' Curtis said. "In the best case scenario you would be spending your life with only your own thoughts for company.

'Some have argued that even with a fully functional body, immortality would be tedious. With absolutely no contact to external reality it might just be a living hell. To end up a disembodied human brain may well be to suffer a fate worse than death."

Last month, Yale University announced it had successfully resurrected the brains of more than 100 slaughtered pigs and kept them alive for up to 36 hours.

Scientists said it could pave the way for brain transplants and may one day allow humans to become immortal by hooking up our minds to artificial systems after our natural bodies have perished. 

In LOST, viewers were conflicted about who, what, where and how the main characters were interacting with each other on an island that was not an island (where the laws of physics and smoke monsters roamed). Immortality was seen through Jacob, who shipwrecked as a baby on the island during Roman times. The Man in Black appears as an immortal smoke monster savagely imposing judgment on humans. Even the character of Michael appears to be trapped as a "whisper" on the island as a soul that cannot move on in the after life.

The idea that LOST could have been merely a network of reanimated brains now has a thread of truthful basis in current science. And the nightmare of being trapped on an island hell is what Mr. Curtis alludes to in his criticism of the experiment's potential outcome.

BRAINS IN JARS

The London Daily Mail had a recent article describing what an Australian professor claims that our entire existence could be an elaborate illusion controlled by a genius evil scientist.

The premise is that you are not where you think you are. 

Your brain has been expertly removed from your body and is being kept alive in a vat of nutrients that sits on a laboratory bench.

The nerve endings of your brain are connected to a supercomputer that feeds you all the sensations of everyday life. 

This is why you think you're living a completely normal life.

Do you still exist? Is the world as you know it a figment of your imagination or an illusion constructed by this evil supercomputer network?

Could you prove to someone that you are not actually a brain in a vat?

As the article states, the philosopher Hilary Putnam proposed this famous version of the brain-in-a-vat thought experiment in his 1981 book, Reason, Truth and History, but it is essentially an updated version of the French philosopher René Descartes' notion of the Evil Genius from his 1641 Meditations on First Philosophy.

While such thought experiments might seem glib – and perhaps a little unsettling – they serve a useful purpose. They are used by philosophers to investigate what beliefs we can hold to be true and, as a result, what kind of knowledge we can have about ourselves and the world around us.

Descartes thought the best way to do this was to start by doubting everything, and building our knowledge from there. Using this skeptical approach, he claimed that only a core of absolute certainty will serve as a reliable foundation for knowledge. 

He said: If you would be a real seeker after truth, it is necessary that at least once in your life you doubt, as far as possible, all things.

It is from Descartes that we get classical skeptical queries favored by philosophers such as: how can we be sure that we are awake right now and not asleep, dreaming?

To take this challenge to our assumed knowledge further, Descartes imagines there exists an omnipotent, malicious demon that deceives us, leading us to believe we are living our lives when, in fact, reality could be very different to how it appears to us.

This premise has been discussed as a possible explanation to the LOST mythology. 

For example, who did Patchy of the Others survive being killed by the sonic fence and the island visitors to somehow come back to kill Charlie with an underwater explosive? To have nine lives, a human has to be unrealistically lucky or be reincarnated many times over. Or in this premise, he never really died because he was never really alive. He was a computer simulation, a reusable prop, to infuse the subject jar brains with conflict, reality, drama and emotional responses.

Another explanation of the evil genius controlling everything was inferred from the huge military industrial complex that was the island. Human experiments were part of the mission of the island scientists. It is not a great leap to see how an unseen overlord could have been directing the action, just like the man behind the curtain in the series nod to the Wizard of Oz. 

And this article does touch upon the embedded theme throughout the series: philosophy. Characters like Locke and Hume were named after famous philosophers. The characters had to make philosophic decisions between right and wrong, free will or capture. LOST could be viewed as an interactive thesis of philosophic questions being run through various programs in a supercomputer.

Because of the various continuity errors and story line red herrings, many LOST fans questioned the truth of the series story lines. There was doubt that the story writers and show runners actually knew what they were doing. Many have been searching for answers to explain or cover-up the show's big flaws. So, in a way, many continue to do a philosophic autopsy on the show to glean new information and explanations to make the show better in their own minds.

The mind is a powerful but not very well understood thing. It is an intangible element incorporated in the tangible brain. Our current science studies state how we "think" the mind works, but no one has shown the ability to download, in real time, the mental images of a human being onto a monitor. It is merely speculation, educated guess, theory. But what if there were a higher being who could actually tap into the conscious and subconscious mind of human beings - - -  for entertainment or research purposes? That would put the human race on par with gold fish in an cosmic aquarium.